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“Un Flic” (A Cop) the last film by Jean-Pierre Melville begins beautifully. The opening shots plot during a storm in an Atlantic soar town in France, which introduced the bank robbery are incredibly heavenly and tense. Melville sets up the scene in such a plan that you are on the edge of your seat through out this fabulous sequence. The heat of the film is turned up against the difference of these chilly shots and as the account progresses it more or less never lets up and holds it’s grip ever tightening as the cop, Alain Delon tracks down the crime ring that is great closer than he thinks.
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Extraordinary cinematograph is a highlight of this film and one gets glimpses of watercolor smudged barren streets of Paris in the winter that are pretty. This film has its flaws but they are too distinguished of a distraction. Most jarring is the determined employ of models during a very tense scene on the issue.
A ravishing stand out in the film is Valerie Wilson as Gaby a transvestite who is a stool pidgin for Delon. Touching she is and there is the gripping undertow of the possibility of romance between the cop and the inappropriate dresser. I am never quite convinced that Delon is merely using her attraction to him to his advantage. Wilson is astonishing in the role, a rare un-judging discover at a denizen of this sub-culture.
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Delon is Delon, which in my thought is simply titanic. Appealing to glance. Catherine Deneuve is limited more that window dressing but a wintry dish for the eyes non-the less. The staunch surprise in the film is Richard Crenna. He looks to be speaking his occupy lines in French and gives a nuanced fantastic performance as the head of the crime gang. He is utterly watchable and after a few moments you forget he is an American actor in a French film.
Over all “Un Flic” or as it is called here “Dirty Money” is a fun lag for fans of the heist genre. And on a final sign, the last shots of the film are raw and haunting.
According to some bloggers, this a novel edition, made by Lions Gate, of “Un flic” (1974), the very last movie of French filmmaker Jean-Pierre Melville (”Bob le Flambeur”, “L’armée des ombres”, “Le cercle rouge”) . Please fair title (”Dirty money”) and actors links, unsuitable with “Dirty money” (1994) . Maybe “Un flic” has not been unanimously appreciated by critics and the box office but there is no doubt that it is a marvelous film noir done by a genre master, plenty of poor. Paunchy of powerful sequences, such as the opening one, a bank hold-up filmed under the rain. Pay attention to Alain Delon playing the piano at Deneuve’s night club. Pleasant performance by Richard Crenna.
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