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Am I delighted I decided to rent this movie! Like the theme of this movie, it was a edifying twist of fate that I got it.
I don’t know how to establish the brilliance of this movie into words. In the vein of “Pulp Fiction”, “Accelerate Lola Hurry”, and “Before the Rain”, “Lovers of the Arctic Circle” is a complex movie that dares to defy conventions of storytelling–using multi-perspectives, circular storylines, coincidences. This is not for everyone, since some people unbiased like their stories to be flung onto their plates, challenges aside.
The tale penetrates into the psyche by not telling it through one person’s eyes–but both–the two lovers, Ana and Otto. This draw of storytelling heightens our perspectives and increases the depth of emotion and opinion. The record tells how Ana and Otto tumble in cherish as children, and how their savor only grows stronger throughout the years, despite trials and tribulations. Both perspectives weave in and out, combine once–and split at the very raze. One ending is jubilant, the other is tragic–one is Ana’s, the other is Otto’s.
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This movie will haunt you for days afterward. It will force you to consider about appreciate, life, coincidences, fate, destiny, the current twists and turns that life gives us, and the beauty of it all . . .
Of all the movies I’ve seen in a lifetime, and that’s a lot for the average human being, this is one of the most profoundly current I’ve ever seen.
It is an unexpectated stroke of brilliance.
That’s what young Otto’s father asks him in Julio Medem’s Los Amantes del Circulo Polar, and quite frankly, something I’d like to ask all of you. The two were having a conversation on one of the philosophical aspects of life. “Everything needs to be cyclic. Everything begins and ends.” “That’s life,” according to the father. “Contented and unlit. Everything expires over time.”
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The fable concerns Otto and Ana, two children who met when they were eight, and whose lives become entwined further when Otto’s father and Ana’s mother marry. However, the beginning shows Otto as a pilot delivering long distance air-mail and flashes relieve and forth to his childhood and adolescent years. As for Ana, we hear her narrate over a cinematically pleasing scene of a lake reflecting the salmon-coloured sky, as if it were a lake of pink lemonade, the sun dipping down lower until looping support up in time-lapse photography. She says she could suppose the sage of her life through coincidences, and is waiting for the biggest one of all.
The action cuts between Otto’s POV and Ana’s, so positive scenes are repeated, but we hear both character’s thoughts, which provide insight into their characters. Both children have experienced losses. Otto’s parents have split up, and Otto was closer to his mother. His mother is similarly counsels him on the impermanence of things. “Life’s tribulations have to be taken with humour because they advance and go. They don’t last forever.”
Ana lost her father in a car accident and sees Otto as a reincarnation of her father, a note from her father for having died early.
The anecdote of how Otto got his name, when his grandfather rescued a German pilot named Otto who was shot down over Guernica, plays a key role in this memoir of coincidences.
As time goes on, Otto and Ana plunge for each other, and Otto even moves in with his father unbiased to inspect Ana everyday. Despite not being biological siblings, they have to veil their appreciate from their respective parents. However, the tide turns when Otto’s mother dies, and a suicide attempt reveals the guilt Otto feels in giving too grand attention to Ana, thus separating the two.
The two leads also appeared in Alejandro Amenebar’s Abre Los Ojos, Fele Martinez as Pelayo and Najwa Nimri as Nuria. As Otto and Ana, Martinez and Nimri pull reliable performances, exuding individuals going through their pained lives.
One series of shots of Otto and Ana being at the same square, but at different tables, barely missing each other, is engrossing. Otto is seen to the left, reading the want ads, and to his true but farther support, we inspect Ana, her relieve to him. It’s one of those heartwrenching moments when I want to leap in and say, “Leisurely you!!”
The employ of palindromic names, Otto and Ana symbolize the circular and eternal qualities of esteem. And check out the director’s last name–Medem. And the Arctic Circle, beyond which the sun never sets in midsummer, also represents that eternal flame of appreciate.
Yes, the ending is a bummer, but not so considerable. However, I’d distinct like to know what put a question to Otto wrote on that paper airplane. And maybe someone else who has seen this movie can yelp me if there is something that lasts forever.
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