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For some reason there remains a dilemma with the video quality of Thomas Crown Affair. What we are articulate to be seeing is a fresh transfer, ( I guess admitting that the prior version needed improvement) which in fact it did. This unique transfer isn’t quite what I was expecting, in fact it’s uneven or should I say unbalanced which gives a gloomy viewing experience. Anyone who purchases this DVD version expecting the ultimate quality version is in for a expansive let-down. This DVD is offered with the wide screen/ elephantine conceal format. MGM appears to be looking in the rear notion mirror. With Plasma/LCD quality, why is MGM wasting time with marginal quality standards. This Batch will extinguish up in the bargin bin. Attach your money and wait till next time.
Even in 1968, audiences knew The Thomas Crown Affair was a film of style over substance. It had an enthralling premise dreamt up by a Boston Lawyer who had never written a screenplay before-and there wasn’t a lot of memoir or character development. It’s the films’ style and gimmicks which endeared it to audiences. And the coolest of the cold stars,Steve (I depart like a panther) McQueen, on the planet teamed up with the inspiring mix of earthy sultriness and ice princess that is Faye Dunaway at her peak.
So does this film enjoy up? Is it worth watching? The first half hour of the film – - the robbery is serene an tantalizing, stylish, curious sequence that few films will top in terms of hipness. It’s here the multiple hide gimmick works best. It’s here that Hal Ashby’s editing and Walter Hill’s second unit work is most impressive. It’s the best portion of the film and it works beautifully. (Yes that’s future directors Hal Ashby and Walter Hill I objective mentioned) .
Affair is directed by Norman Jewison (a passe editor/turned director who had unprejudiced directed In the Heat of the Night, and The Russians are Coming, The Russians are Coming) . United Artists didn’t set considerable pressure or time constraints on Jewison, and Jewison took this very obsolete screenplay with an captivating premise and worked with writer Alan R. Trustman to make a sandbox for him and legendary cinematographer Haskell Wexler to play in. They were young, they were anxious to atomize rules and try unusual things and they happened to wind up at Montreal Expo 67 and in the audience of a ground-breaking multi-screen extravaganza called Habitat. Habitat was created by film/maker and graphic designer Pablo Ferro. Jewison, Wexler and Ashby had found the gimmick they were looking for. It wasn’t really until the film was in post production that they began putting together the multi-screen effects, and none of the film was story-boarded . A lot of improvisation was frail for the film.
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The premise of the chronicle (for the few who don’t know) concerns a very wealthy corporate millionaire, Thomas Crown (Steve McQueen) who is so worn to winning at every game he plays, he challenges himself by quietly setting up and master-minding a tall bank robbery. It’s one of the things that amuses him, one of the few thrills he has in life, his arrangement to rebel and announce against his gain corporate greed.
The police are baffled, Paul Burke as top cop Eddie Malone is willing to work with a very novel insurance investigator to wreck the case. The investigator turns out to be Vicki Anderson (played by Faye Dunaway) . She earns ten percent of the money she recovers and she’s willing to do fair about anything and shatter all the rules to salvage her money- which frustrates the by the book Eddie Malone.
Now there’s never mighty time taken with weak things like dialogue. Most of the characters express in short phrases and sentences. The music is loud, intrusive, and distinct. It’s worn throughout the film to drive the pacing of the scene or over-emphasize minor moments. Today it plays a bit more campy than it ancient to, but it’s a lot of fun.
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Vicki Anderson rapid decides that Thomas Crown must be the master-mind tedious the bank robbery. She doesn’t really have any evidence, or really distinguished of a reason to arrive to this conclusion, but she does. The film expects you to bag this. So the rest of the film is a cat and mouse game. Vicki and Thomas are dazzling jet-setting type people and they are attracted to each other, flirt, earn admire, drink port, play chess (in an extremely obscene key erotic fashion), steal unusual accomplish, go for dune buggy rides, and sit in sauna’s together.
They both know however that they are adversaries.
McQueen’s acting is also very stylized. He pauses before making facial gestures. He laughs somewhat forced, and his every movement feels calculated. It works.
Although the film becomes less logical as it progresses, its inventive style held my attention throughout. And perhaps because of how dated it’s hip chicness is, it’s even more fun now,then when it was first released.
The re-make is actually a better film than this one. The screenplay is worthy better constructed, and the film is structured better as a mature record. But the first 30 minutes of this film is not easily topped, and Steve McQueen was a one of a kind veil presence.
If your in the mood for a style over substance film from the slack 60’s complete with the title Academy Award Winning song Windmills of your Mind, you won’t be disappointed.
Three and Half …. obtain it Four…
Chris Jarmick…
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